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Even superb, seasoned actors have trouble with auditions. Here's where to sharpen your skills, or learn about this vital process. Find out what "they're" looking for, what works and doesn't work, and why it can pay to take chances.
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Shut Up And Talk
Paul Strikwerda
You're auditioning for an important part and you spot a mistake in the script. What to do? Should you speak up or forever hold your peace? Paul Strikwerda has a suggestion. . . .
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3 Tips for Toy Voice Auditions
Kathy Garver
When you're the voice of a toy, it's all about the computer chip. Your voice will be played from a chip that's embedded inside the toy, so winning this job requires a specific approach and attitude. Who's the audience? What type voice works, and doesn't work? And what does it take to win, and keep these jobs? . . .
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Improvisation In Voiceover
Sally Clawson
Stage actors and Jazz musicians are famous for improvisation. But VO artists are also called upon to create characters out of thin air, in commercials, games, and more. Sally Clawson translates 3 stage improv rules into the language of voiceover. So now, you're prepared to be spontaneous! . . .
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How To Prepare When You're Not Prepared! (A Voice Over Primer)
Tom Chantler and David Rosenthal
As most of you already know, we VO people often don't get to see the script we're auditioning for until the day of the audition, and even pros can be caught with their pants down if they don't ask the correct questions at last minute auditions. Obviously, most of your acting choices will be based on any specs and on the audition script as it is written. But be careful...those criteria alone could lead to a safe, thoroughly average read. When you're under pressure to prep your audition quickly, use Tom Chantler's formula: . . .
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How To Do Partner Or Scene Voice Over Work
David Rosenthal & Jason Klofstad w/ Anya Prinz
Chemistry during a tandem voiceover reading is essential. It can make or break a product's success. This video demonstrates how to create chemistry with another person in the booth when you're at an audition. . . .
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Interpreting Unspoken Info in Commercial Voice Over Scripts
Tom Chantler
Every actor is desperate for clues to "What is the director looking for?" If you're reading a television commercial, find them in the video, as well as the audio. Tom, who's a Voice One teacher and successfully employed voice actor, shares how to interpret information about the shots in a commercial, and how your read can reflect those shots. . . .
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Transitioning from Preparation to V/O Performance
DavidRosenthal, ElaineClark, BobWood, IanPrice
The moment is here...it's time to trust your work and abandon yourself to the process. This video is all about what to do during that moment between prep and performance -- how to get from the intellectual part to the emotional part. Our experts offer 4 concrete ideas, and the reasons it's important to give yourself up to your own creativity. . . .
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Breaking Down Your Voice Over Script
DavidRosenthal, ElaineClark, BobWood, IanPrice
Preparing for an audition is critical. But if you need a place to start...ask "who, what, where, why and when" about the script. Our panel of experts shows how it's done, and will inspire you to use these questions to your auditioning advantage. . . .
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What area of voice work most interests you?
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Who's Who at IVC
